Thursday, February 13, 2014

A00008 - David, Patron Saint of Wales

*Saint David, the patron saint of Wales, was born around this year.
Saint David (Welsh: Dewi Sant; c. 500 – c. 589) was a Welsh bishop of Menevia during the 6th century; he was later regarded as a saint and as the patron saint of Wales. David was a native of Wales, and a relatively large amount of information is known about his life. However, his birth date is still uncertain, as suggestions range from 462 to 512. The Welsh annals place his death 569 years after the birth of Christ, but Phillimore's dating revised this to 601.

Many of the traditional tales about David are found in the Buchedd Dewi, a hagiography written by Rhygyfarch in the late 11th century. Rhygyfarch claimed it was based on documents found in the cathedral archives. Modern historians are sceptical of some of its claims: one of Rhygyfarch's aims was to establish some independence for the Welsh church, which had refused the Roman rite until the 8th century and now sought a metropolitan status equal to that of Canterbury. (This may apply to the supposed pilgrimage to Jerusalem where he was anointed as an archbishop by the patriarch).
He became renowned as a teacher and preacher, founding monastic settlements and churches in Wales, Dumnonia, and Brittany. St David's Cathedral stands on the site of the monastery he founded in the Glyn Rhosyn valley of Pembrokeshire. He rose to a bishopric and presided over two synods against Pelagianism: the first at Brefi around 560 and the second at Caerleon (the "Synod of Victory") around 569.

His best-known miracle is said to have taken place when he was preaching in the middle of a large crowd at the Synod of Brefi: the village of Llanddewi Brefi stands on the spot where the ground on which he stood is reputed to have risen up to form a small hill. A white dove, which became his emblem, was seen settling on his shoulder. David is said to have denounced Pelagianism during this incident and he was declared archbishop by popular acclaim according to Rhygyfarch, bringing about the retirement of Dubricius. David's metropolitan status as an archbishopric was later supported by Bernard, Bishop of St. David's, Geoffrey of Monmouth and Gerald of Wales.

The Monastic Rule of David prescribed that monks had to pull the plough themselves without draught animals, must drink only water and eat only bread with salt and herbs, and spend the evenings in prayer, reading and writing. No personal possessions were allowed: even to say "my book" was considered an offence. He lived a simple life and practised asceticism, teaching his followers to refrain from eating meat and drinking beer. His symbol, also the symbol of Wales, is the leek (this largely comes from a reference in Shakespeare's Henry V, Act V scene 1).

Rhygyfarch counted Glastonbury Abbey among the churches David founded. Around forty years later William of Malmesbury, believing the Abbey older, said that David visited Glastonbury only to rededicate the Abbey and to donate a travelling altar including a great sapphire. He had had a vision of Jesus who said that "the church had been dedicated long ago by Himself in honour of His Mother, and it was not seemly that it should be re-dedicated by human hands". So David instead commissioned an extension to be built to the abbey, east of the Old Church. (The dimensions of this extension given by William were verified archaeologically in 1921). One manuscript indicates that a sapphire altar was among the items King Henry VIII confiscated from the abbey at its dissolution a thousand years later.

It is claimed that David lived for over 100 years, and that he died on a Tuesday March 1 (now Saint David's Day). It is generally accepted that this was around 590, however, March 1 actually fell on a Tuesday in 589. The monastery is said to have been "filled with angels as Christ received his soul." His last words to his followers were in a sermon on the previous Sunday. The Welsh Life of St David gives these as: "Bydwch lawen a chedwch ych ffyd a'ch cret, a gwnewch y petheu bychein a glywyssawch ac a welsawch gennyf i. A mynheu a gerdaf y fford yd aeth an tadeu idi", which translates as, "Be joyful, and keep your faith and your creed, and do the little things that you have seen me do and heard about. I will walk the path that our fathers have trod before us." "Do ye the little things in life" ("Gwnewch y pethau bychain mewn bywyd") is today a very well known phrase in Welsh.

David was buried at Saint David's Cathedral at Saint David's, Pembrokeshire, where his shrine was a popular place of pilgrimage throughout the Middle Ages. During the 10th and 11th centuries the Cathedral was regularly raided by Vikings, who removed the shrine from the church and stripped off the precious metal adornments. In 1275, a new shrine was constructed, the ruined base of which remains to this day, which was originally surmounted by an ornamental wooden canopy with murals of Saint David, Saint Patrick and Saint Denis of France. The relics of Saint David and Saint Justinian were kept in a portable casket on the stone base of the shrine. It was at this shrine that Edward I came to pray in 1284. During the reformation Bishop Barlow (1536–48), a staunch Protestant, stripped the shrine of its jewels and confiscated the relics of David and Justinian.
David's popularity in Wales is shown by the Armes Prydein Fawr, of around 930, a popular poem which prophesied that in the future, when all might seem lost, the Cymry (the Welsh people) would unite behind the standard of David to defeat the English; "A lluman glân Dewi a ddyrchafant" ("And they will raise the pure banner of Dewi"). Unlike many contemporary "saints" of Wales, David was officially recognized at the Vatican by Pope Callixtus II in 1120, thanks to the work of Bernard, Bishop of Saint David's.

David's life and teachings have inspired a choral work by Welsh composer Karl Jenkins, Dewi Sant. It is a seven-movement work best known for the classical crossover series Adiemus, which intersperses movements reflecting the themes of David's last sermon with those drawing from three Psalms. An oratorio by another Welsh composer Arwel Hughes, also entitled Dewi Sant, was composed in 1950.

Saint David is also thought to be associated with corpse candles, lights that would warn of the imminent death of a member of the community. The story goes that David prayed for his people to have some warning of their death, so that they could prepare themselves. In a vision, David's wish was granted and told that from then on, people who lived in the land of Dewi Sant (Saint David) "would be forewarned by the dim light of mysterious tapers when and where the death might be expected." The color and/or size of the tapers indicated whether the person to die would be a woman, man, or child.

In the 2004 edition of the Roman Martyrology, David is listed under 1 March with the Latin name Dávidis. He is recognized as bishop of Menevia in Wales who governed his monastery following the example of the Eastern Fathers. Through his leadership, many monks went forth to evangelize Wales, Ireland, Cornwall and Armorica (Brittany and surrounding provinces).

Wednesday, February 12, 2014

A00007 - Clotilde, Queen of the Visigothic King Amalaric

*Clotilde, the queen of the Visigothic King Amalaric, was born around this year.
Clotilde (or Chrodechildis) (c. 500–531) was the daughter of King Clovis I of the Franks and Queen Clotilde and the queen of the Visigothic King Amalaric. She was born circa 500.
Clotilde married Amalaric in 511, and ties between both families were initially positive. Clotilde was a Catholic, while Amalaric and his fellow-Visigoths were Arians. Clotilde refused to adopt her husband's religious practices and complained to her kin that she was persecuted for her faith. Amalaric was subsequently kicked out from Narbonne. War ensued in 531 between Clotilde's brother, King Childebert I, and her husband, at Barcelona, Spain. Amalaric was eventually defeated and killed and Clotilde returned to Francia with the Frankish army, but died on the journey and was buried at Paris.

A00006 - Conal, Irish Bishop

*Conal, an Irish bishop, is believed to have died in this year.

Conal (also known as Conall or Conall Stickler) was an Irish bishop who flourished in the second half of the fifth century and ruled over the church of Drum, County Roscommon, the place being subsequently named Drumconnell, after Conal.
Attracta is said to have prophesied that the episcopal churches of Conal (Drumconnell) and Dachonna (Eas Dachonna) would be reduced to poverty, owing to the fame of a new monastic establishment. This prophecy was strikingly fulfilled, inasmuch as Drum and Assylin soon after ceased to be episcopal sees, while in 1148 the great Cistercian Abbey of Boyle was founded.
Conal died about the year 500, and his feast is celebrated on May 22, though some assign the March 18 or February 9 as the date.

Tuesday, February 11, 2014

A00005 - Fedelmid Find, Roman Catholic Archbishop of Ireland

*Fedelmid Find, a Roman Catholic Archbishop of Armagh diocese, Ireland and Primate of All Ireland from 558 to 578, is believed to have been born in this year.



Fedelmid Find (Also called Feidlimid Fin, Fethlin Fionn, Feidhlimidh Finn, Feidlimidh, Fedlimid, Fedilmid, Feidilmed) b. c.500 - d.30 October 578, was the Roman Catholic Archbishop of Armagh diocese, Ireland and Primate of All Ireland from 558 to 578.

Saint Fedelmid Find was a descendant or grandson of Fáelan and was born c. 500 in a place called Domnach Nemand. He was presumably a younger son as he was destined for the church rather than succeeding to the family estate. He probably did not have a wife or children as he is referred to as “virginal” in the Martyrology of Gorman.
On the death of Saint Fiachra mac Colmain, the Archbishop of Armagh on July 25, 558, Fedelmid Find was appointed as the 11th Archbishop in succession to Saint Patrick. Fedelmid Find reigned as Archbishop for 20 years.

Fedelmid Find died in 578. After his death Fedelmid Find was venerated as a saint and his feast was celebrated on the 30th of October, the day of his death.

Saturday, February 8, 2014

A00004 - Maximilian Schell, Oscar Winning Actor of Judgment at Nurem berg

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Maximilian Schell in “Judgment at Nuremberg.” Alfred Assmann/European Pressphoto Agency
Maximilian Schell, the ruggedly handsome Austrian-born actor who won an Academy Award for his role in “Judgment at Nuremberg,” died early Saturday in Innsbruck, Austria. He was 83. 
Patricia Baumbauer, his agent, confirmed his death to The Associated Press. She said he was hospitalized for a “sudden illness” but gave no more details. 
Stanley Kramer’s “Judgment at Nuremberg” (1961), a drama recounting the Nazi war-crime trials in Germany, had an all-star cast, including Spencer Tracy, Judy Garland and Montgomery Clift. But Mr. Schell’s performance as the eloquent and ultimately furious German defense lawyer was the only one honored by the Academy. The film had begun on TV on “Playhouse 90.”
He went on to earn two more Oscar nominations, for the title role in “The Man in the Glass Booth” (1975), a drama inspired by the trial in Israel of the Holocaust criminal Adolf Eichmann, and “Julia” (1977), based on a Lillian Hellman story about the underground in Nazi Germany. 
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Mr. Schell won his Oscar in 1962. Associated Press
In the late 1960s, Mr. Schell became a director. Two of his films — “The Pedestrian” (1973), about a German businessman’s wartime past, and“Marlene” (1984), a documentary about Marlene Dietrich — received Oscar nominations. He also went on to direct opera, including “Der Rosenkavalier”for the Los Angeles Opera in 2005.
 Mr. Schell acknowledged that his career had perhaps been dominated by Nazi-era subjects and characters, and that he had been typecast. He was also an SS captain in “The Odessa File” (1974); a Nazi officer in two 1977 films, “A Bridge Too Far” and “Cross of Iron”; and a Nazi captain, alongside Marlon Brando, in “The Young Lions” (1958), his American film debut.
“There does seem to be a pattern” in his films, Mr. Schell said in a 1975 interview with the film critic Roger Ebert, adding later, “I think there’s an area of subject matter here that has to be faced and seriously dealt with.”
The Third Reich was part of his own experience.
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He was the younger brother of Maria Schell, in the background of the photograph, an international film star who died in 2005.Frank Rumpenhorst/DPA, via Associated Press
 Maximilian Schell was born in Vienna on Dec. 8, 1930, one of four children of Hermann Ferdinand Schell, a Swiss-born playwright and pharmacy owner, and the former Margarethe Noé von Nordberg, an Austrian actress. The family, Roman Catholic, moved to Zurich after 1938. 
 Mr. Schell made his film debut in “Kinder, Mütter und ein General” (“Children, Mother and a General,” 1955) and appeared in several other West German films before leaving in 1958 for the United States, where his sister Maria Schell was already building a Hollywood movie career. Mr. Schell’s acting roles did go well beyond World War II and Germany. He played Lenin in “Stalin,” a 1992 television film; and the title character in “Peter the Great,” a 1986 mini-series. He also appeared in the films “Topkapi” (1964), about a jewel theft in Turkey; “The Freshman,” a 1990 Mafia comedy; and “Deep Impact” (1998), a comet-disaster movie.
He did three plays on Broadway; his debut was “Interlock” (1958), with Rosemary Harris.  
His last film, “Les Brigands,” a multinational production filmed in French, is in postproduction. 
Mr. Schell married Natalya Andreychenko, a Russian actress, in 1985; they divorced in 2005. His survivors include Iva Mihanovic, a German-Croatian soprano, whom he married in August; and a daughter, Nastassja Schell, from his first marriage. Maria Schell died in 2005.
Ultimately, Mr. Schell evolved into an international character actor — distinguished and perhaps a bit world-weary. “The world doesn’t change. The balance of evil will always be the same,” he said in an interview with The New York Times in 2001, when he was preparing to appear in a stage version of “Judgment at Nuremberg.” “I think all the poets and artists have always written for peace and love, and it hasn’t changed much in the last two or three thousand years. But we hope.”